Elwyn
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« Vastaus #1305 : 18.04.2015 21:07:33 » |
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tallennettu
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"Curse the day, hail the night"
***
“Listen to them, the children of the night. What music they make!” ― Bram Stoker
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Elwyn
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« Vastaus #1306 : 18.04.2015 23:46:05 » |
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tallennettu
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"Curse the day, hail the night"
***
“Listen to them, the children of the night. What music they make!” ― Bram Stoker
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Elwyn
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« Vastaus #1307 : 19.04.2015 00:13:16 » |
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tallennettu
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"Curse the day, hail the night"
***
“Listen to them, the children of the night. What music they make!” ― Bram Stoker
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sideman
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« Vastaus #1308 : 19.04.2015 11:55:49 » |
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Tunnistatko A Hard Day's Night'in avaussoinnun? https://youtu.be/N2_A2XkXKfAWikipediassa on tällaisia ehdotuksia: Analysis of the chord has been debated,[16] it having been described as G7add9sus4,[17] G7sus4,[18][19] or G11sus4[13] and others below. The exact chord is an Fadd9 confirmed by Harrison during an online chat on 15 February 2001:[20] Q: Mr Harrison, what is the opening chord you used for "A Hard Day's Night"? A: It is F with a G on top, but you'll have to ask Paul about the bass note to get the proper story. According to Walter Everett the opening chord has an introductory dominant function because McCartney plays D in the bass: Harrison and Martin play F A C G, over the bass D, on twelve-string guitar and piano respectively, giving the chord a mixture-coloured neighbour, F; two diatonic neighbours, A and C; plus an anticipation of the tonic, G — the major subtonic as played on guitar being a borrowed chord commonly used by the Beatles, first in "P.S. I Love You" (see mode mixture), and later in "Every Little Thing", "Tomorrow Never Knows" and "Got to Get You into My Life" (in the latter two against a tonic pedal).[21]Lisää möykkää yhdestä soinnusta: Everett points out that the chord relates to the Beatles' interest in pandiatonic harmony.[24] Dominic Pedler has also provided an interpretation of the famous chord,[25] with The Beatles and George Martin playing the following: George Harrison: Fadd9 in 1st position on Rickenbacker 360/12 12-string electric guitar John Lennon: Fadd9 in 1st position on a Gibson J-160E 6-string acoustic guitar Paul McCartney: high D played on the D-string, 12th fret on Hofner 500/1 electric bass George Martin: D2-G2-D3 played on a Steinway Grand Piano Ringo Starr: Subtle snare drum and ride cymbal
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« Viimeksi muokattu: 19.04.2015 12:17:09 kirjoittanut sideman »
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tallennettu
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sideman
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« Vastaus #1310 : 21.04.2015 09:02:37 » |
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Hyvä hyvä, Nasaretin Jesse ja Sipilän Juha! https://www.youtube.com/watch?v=NsUlDkLmB84 Onpa muuten energinen rumpali. Lopussa tyylikkäät synkoopit snarella! Toki kyseessä voi olla rumpukone, mutta epäilen vahvasti että näin ei ole...
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« Viimeksi muokattu: 21.04.2015 09:06:13 kirjoittanut sideman »
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tallennettu
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Elwyn
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« Vastaus #1311 : 22.04.2015 22:21:10 » |
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tallennettu
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"Curse the day, hail the night"
***
“Listen to them, the children of the night. What music they make!” ― Bram Stoker
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Elwyn
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« Vastaus #1314 : 26.04.2015 22:58:31 » |
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tallennettu
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"Curse the day, hail the night"
***
“Listen to them, the children of the night. What music they make!” ― Bram Stoker
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Elwyn
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« Vastaus #1315 : 05.05.2015 20:54:47 » |
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tallennettu
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"Curse the day, hail the night"
***
“Listen to them, the children of the night. What music they make!” ― Bram Stoker
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sideman
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« Vastaus #1316 : 07.05.2015 21:29:58 » |
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tallennettu
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sideman
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« Vastaus #1317 : 08.05.2015 11:53:48 » |
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tallennettu
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Elwyn
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« Vastaus #1318 : 13.05.2015 22:17:51 » |
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tallennettu
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"Curse the day, hail the night"
***
“Listen to them, the children of the night. What music they make!” ― Bram Stoker
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Elwyn
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« Vastaus #1319 : 13.05.2015 22:21:41 » |
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On se vaan niin huimaa joka kerta kun löytää upean biisin
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tallennettu
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"Curse the day, hail the night"
***
“Listen to them, the children of the night. What music they make!” ― Bram Stoker
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